According with J.C Pan from The Fader, "Work from Home" uses work as a euphemism for sexual seduction, "rolling out one job-related double entendre after another". In review of the album 7/27, Peter Meister from Sputnikmusic describing the song, wrote, "In the sparkling, sexy "Work from Home", R&B crooner Ty Dolla Sign harmonizes perfectly with the girls amongst brimming, elegant synths that explode and rattle with booming, gritty bass over the demanding of their lover to not go to work but instead, put the "work" at home with her. Its instrumentation is complete with electro claps, strong bassline and backed-synth.
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Social information processing suggests that individuals give meaning to job characteristics. Individuals have the ability to construct their own perception of the environment by interpreting social cues. This social information comes from overt statements from coworkers, cognitive evaluations of the job or task dimensions, and previous behaviors. This social context can affect individuals’ beliefs about the nature of the job, the expectations for individual behavior, and the potential consequences of behavior, especially in uncertain situations. In telework, there are fewer social cues because social exchange and personalized communication takes longer to process in computer-mediated communication than face-to-face interactions.
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The group performed the song for the first time on television on February 29, 2016, on a special after-Oscars episode on Live! with Kelly and Michael. Recreating the set of the music video, they performed the song on Jimmy Kimmel Live! on March 24, 2016 and on Alan Carr: Chatty Man approximately two weeks later. The group performed the song on The Ellen DeGeneres Show on May 10, dancing in and around a car prop and at the 2016 Billboard Music Awards on May 22 alongside Ty Dolla Sign. Other performances include the 2016 Much Music Video Awards and the 2016 CMT Music Awards, where the group performed the song with country singer Cam, as a mashup with Cam's single, Mayday.
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